Zi Wei[+2]
Tian Fu[+3]
Lu Cun[+3]
Tian Ma[+2]
Huo Xing[+3]
Minor Limit5172941536577
Major Period 12 - 21
Tai Yin[-3]
Zuo Fu[-3]
Qing Yang[-3]
Minor Limit6183042546678
Major Period 22 - 31
Tan Lang[+3]
Wen Qu[+1]
Minor Limit7193143556779
Major Period 32 - 41
Ju Men[+2]
Minor Limit8203244566880
Major Period 42 - 51
Lian Zhen[-1]Lu
Tian Xiang[+3]
Minor Limit9213345576981
Major Period 52 - 61
Tian Liang[+2]
Tian Yue[+2]
Minor Limit10223446587082
Major Period 62 - 71
Qi Sha[+3]
Minor Limit11233547597183
Major Period 72 - 81
Tian Tong[-2]
Minor Limit12243648607284
Major Period 82 - 91
Wu Qu[+3]Ke
Wen Chang[-3]
Ling Xing[+3]
Minor Limit1132537496173
Major Period 92 - 101
Original Palace
Tai Yang[-3]Ji
You Bi[-1]
Di Kong[-3]
Di Jie
Minor Limit2142638506274
Major Period 102 - 111
Po Jun[+2]Quan
Minor Limit3152739516375
Major Period 112 - 121
Tian Ji[-3]
Tian Kui[+2]
Tuo Luo[+3]
Minor Limit4162840526476
Major Period 2 - 11
Body Palace

myfate.aiPurple Star Astrology

  • Water 2 Bureau
  • Zodiacdragon
  • 2yrs
  • 2025-01-01
    00:00
  • chou
  • Wen Chang
  • 2024-12-2
    Early Rat hour
  • Ju Men
  • jiachen bingzi gengwu bingzi
    →Lu→Quan→Ke→Ji

Major PeriodMinor LimitAnnual FortuneMonthly FortuneDaily FortuneHourly FortuneThis Year

  • 2026-10-7
    08:54
  • 3yrs
  • 2026-8-27
    Dragon hour
  • horse
  • bingwu dingyou jiayin wuchen
    Death Date
Flying Star ChartThree Harmonies Chart
← Glossary

Kun Wei Di (坤為地 ䷁) — Earth Doubled

繁: 坤為地简: 坤为地Kūn Wéi Dì· I-Ching (The Book of Changes)

Also known as: 重坤 · Hexagram 2 · ䷁ · The Receptive Hexagram

The second hexagram; six broken yin lines, Earth over Earth, symbolising receptivity, devotion, and the power that carries all things.

Kun Wei Di is the second of the sixty-four hexagrams, formed by doubling the Earth trigram (☷ over ☷). Its six yielding lines make it the purest yin figure and the natural complement of Qian. The judgement praises "利牝馬之貞" — the enduring correctness of a mare, strong yet gentle.

The Great Image reads "地勢坤,君子以厚德載物" ("The earth's condition is receptive devotion; thus the noble person carries the outer world with generous virtue"). In divination Kun counsels supporting rather than initiating, patient preparation, and quiet strength that sustains others.

If Qian is praised for starting things, Kun is praised for bringing them into being: the Tuan commentary says the ten thousand things take their life from it, and that it does this by according with heaven instead of competing with it. The Shuogua (說卦傳) image list for Earth is a list of containers and carriers: ground, mother, cloth, cauldron, a cow with her calf, a large cart, the multitude. The Wenyan section attached to Kun is also the source of the much-quoted observation that a household which accumulates good accumulates surplus blessing, and the reverse.

Yielding, in this hexagram, is not weakness, and it is certainly not inaction. The bottom line is an instruction in vigilance: notice the frost, infer the ice. Anyone reading Kun as passive or unlucky has skipped past the mare in the judgement, an animal the tradition chose because tractability and stamina arrive in the same package. Nor is this a “women's hexagram” in any restrictive sense; mother is one image among many that the tradition assigns to the quality of receiving and carrying, and the same list includes cloth, a cauldron and a large cart.

Six yielding lines make Kun the exact counterpart of Qian. Change every line and Heaven appears; turn the figure over and it is unchanged; take its nuclear trigrams and Earth appears again. The line texts trace one continuous movement from small to large: frost underfoot, a tied sack that draws neither blame nor praise, a yellow lower garment that is greatly auspicious, and finally dragons contending in open country, yin so full that it now contests with yang. Kun and Qian alone carry an extra closing text for the case where every line moves.

The phrase about gaining companions in the southwest and losing them in the northeast has been read two ways for centuries. One line of commentary maps it onto the later-heaven arrangement of the trigrams, where southwest is Earth's own position and northeast belongs to Mountain, so like meets like in one direction and not in the other. Another takes the loss of companions positively: leaving one's own kind is what makes room for the complementary yang partnership the judgement goes on to endorse. The clause about being lost first and finding a master later is punctuated differently by different commentators, and most of them present the ambiguity as an ambiguity.

Read in practice, Kun is a hexagram of position more than of action. It favours supporting, accumulating, following a direction already set, joining a venture someone else has opened, and work whose value only appears over time; it reads badly for racing ahead, forcing a decision early, or needing to be first. In line divination the doubled hexagrams place the self line at the top with no responsive partner, usually taken to mean little outside assistance; a moving bottom line asks what small sign has been seen and not yet acted on, and a moving top line warns that yielding pushed to its extreme stops being yielding. Kun also sits in more than one pairing. With Qian it forms the opposite pair that classical writing treats as the two gates of the whole system; with Gen (艮為山) it shares the earth element while the emphasis differs, Gen stopping at the right point and Kun carrying weight without complaint. And as with every doubled hexagram, the three-line Kun trigram (坤 kūn, ☷) is a component quality, not a full situation.

Frequently Asked Questions

Is Kun Wei Di a bad hexagram to draw?

No. Tradition treats it as one of the two foundational hexagrams, on a level with Qian instead of beneath it. What it indicates is a mode rather than an outcome: supporting instead of leading, preparing instead of launching, accumulating instead of seizing. It reads favourably for consolidation, partnership in a secondary role, and anything whose value builds over time, and unfavourably for contests of speed or initiative.

Where does the phrase about carrying things with generous virtue come from?

It is the Great Image (大象傳) commentary on Kun, and the matching line about ceaseless self-strengthening is the Great Image on Qian. The two are almost always quoted as a pair in Chinese writing on character, one for self-reliance and one for capacity, and they were adopted together as the motto of Tsinghua University, which is why the eight characters circulate far outside anything to do with divination.

What does “treading on frost, hard ice arrives” mean?

It is the bottom line text of Kun, and it is about inference rather than about cold. Frost underfoot is a small, easily ignored sign; the hard ice it announces is the large consequence. The line is read as an instruction to take early indications seriously, especially in situations that accumulate gradually, and it is one of the most frequently cited images in the whole book for the value of noticing small things early.

How are Qian and Kun read together?

They are treated as a single pair, not as two unrelated hexagrams: one all yang, one all yin, each the other's complete opposite, and neither changed by being turned upside down. Classical formulations describe Qian as what things begin from and Kun as what they are born through. In reading a situation, the pair is often used to ask whether the moment calls for initiating or for supporting and consolidating.

What do “gaining friends in the southwest” and “losing friends in the northeast” mean?

They come from Kun's judgement and have no single agreed reading. One tradition explains them by compass position: in the later-heaven arrangement of the trigrams, southwest is Earth's own quarter, so one meets one's own kind there, while northeast is not. Another tradition reads the loss as beneficial, since letting go of one's own kind is what allows a complementary partnership to form. Most commentators present it as an ambiguity instead of settling it.